Art Attack

spareshawl: I did a picture of Elizabeth from Bioshockl...

Tue, 19 Mar 2013 23:55:07 +1100

I did a picture of Elizabeth from Bioshockl Infinite.

I'm kate

Tue, 02 Oct 2012 16:59:00 +1000

Hello

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SHAZBOT!

angrywhistler: Juan Del O

Fri, 10 Feb 2012 13:27:10 +1100

angrywhistler:

Juan Del O

viniaoquadrado: These figurative human and equine sculptures...

Sat, 04 Feb 2012 17:55:18 +1100

viniaoquadrado:

These figurative human and equine sculptures are by a trio of Beijing-based artists who go by the name Unmask Group. Liu Zhan, Kuang Jun and Tan Tianwei met while at the Central Academy of Fine Arts and have been producing sculptural work together since 2001. These seemingly incomplete stainless steel works show figures in a state of dissolution or perhaps just the opposite, emergence. Regardless, the delicate lines and smooth curves left by the absence of materials make them appear almost sensual. These particular pieces were on display at H.T. Gallery through last month. (via my modern met, art source)

danceabletragedy: Paintings by Briscott

Sat, 04 Feb 2012 17:55:09 +1100

danceabletragedy:

Paintings by Briscott

luzfosca: A London bus makes its way along Fleet Street in...

Sat, 04 Feb 2012 17:55:00 +1100

luzfosca:

A London bus makes its way along Fleet Street in heavy smog, December 1952

Keystone/Hulton Archive/Getty Images

theonlymagicleftisart: (Tobias Kwan)

Sat, 04 Feb 2012 17:50:03 +1100

theonlymagicleftisart:

(Tobias Kwan)

artmonia: Sam Weber. Follow Artmonía on Facebook &...

Thu, 02 Feb 2012 23:48:38 +1100

artmonia:

Sam Weber.

Follow Artmonía on Facebook & Twitter.

artforadults: putting on airs by kris night at flickr

Thu, 02 Feb 2012 23:47:01 +1100

artforadults:

putting on airs

by kris night at flickr

iamjapanese: Hiro Ichikawa（Japanese, b.1959） Cobalt 2004 Oil...

Thu, 02 Feb 2012 23:44:52 +1100

iamjapanese:

Hiro Ichikawa（Japanese, b.1959）

Cobalt 2004

Oil on wood panel

gaksdesigns: Vincenzo Rizzo

Thu, 02 Feb 2012 23:44:40 +1100

gaksdesigns:

Vincenzo Rizzo

therhumboogie: By Maggi Hambling, I have always had a...

Thu, 02 Feb 2012 23:44:29 +1100

therhumboogie:

By Maggi Hambling, I have always had a proclivity for art made about or relating to water, the sea being the epitome of power and beauty, these paintings could not capture it more perfectly. You get a feeling of energy and power from just looking at them, the brush strokes and texture the water seems ready to wash right through the canvas and into the space they inhabit.

“The older I get I identify with the land which is being eroded, the sea is like time - you can do nothing about it. Death will come, the sea will come. It’s a metaphor for life.”

darksilenceinsuburbia: Vadi...

Thu, 02 Feb 2012 23:44:19 +1100

darksilenceinsuburbia:

Vadi Tkachev.

http://www.behance.net/JustVadi

marcomazzoni: “Ativan” 2011, colored pencils on paper, cm...

Thu, 02 Feb 2012 23:44:10 +1100

marcomazzoni:

“Ativan” 2011, colored pencils on paper, cm 48x33

leslieavonmiller: Encounter m. j. cunningham I would like my...

Thu, 02 Feb 2012 23:44:00 +1100

leslieavonmiller:

Encounter

m. j. cunningham

I would like my art to encompass a beauty of things imperfect, impermanent and incomplete: a beauty of things modest and humble and a beauty of the unconventional.

hifructosemag: JinYoung Yu was featured in Hi-Fructose vol.11....

Thu, 02 Feb 2012 23:43:23 +1100

hifructosemag:

JinYoung Yu was featured in Hi-Fructose vol.11. Her sculptures will haunt you.

devidsketchbook: Ruadh DeLone - Torsos

Tue, 24 Jan 2012 21:31:13 +1100

devidsketchbook:

Ruadh DeLone - Torsos

askios: Sculptures by Ronit Baranga

Tue, 24 Jan 2012 14:48:40 +1100

askios:

Sculptures by Ronit Baranga

Photo

Tue, 24 Jan 2012 12:08:21 +1100

cavetocanvas: Ana Mendieta, Silueta Works in Mexico,...

Wed, 18 Jan 2012 22:35:00 +1100

cavetocanvas:

Ana Mendieta, Silueta Works in Mexico, 1973-77

From The Museum of Contemporary Art, Los Angeles:

Ana Mendieta was born into a politically prominent family in Cuba closely affiliated with the Communist movement led by Fidel Castro. When the alliance between Castro’s factions and Mendieta’s father turned sour in 1961, she was sent to live in the United States. Her exile informed the development of her ensuing work; she did not identify with a particular homeland and adopted various sites for her performances and their documentation. The untitled works that comprise the Silueta series, which she preformed as she traveled between Iowa and Mexico, reveal her interest in the earth as a site to address issues of displacement by recording the presence of her body—or the imprint it left behind—within different natural environments. Mendieta often filled in the silhouette of her body on the earth with various materials such as rocks, twigs, and flowers, as well as blood and gunpowder.